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Slide 0: Unseen: Unpublished Black History from the New York Times Photo Archives
Unseen: Unpublished Black History from the New York Times Photo Archives
Discover hundreds of stunning, never-before published images from black history and their previously untold stories in Unseen: Unpublished Black History from the New York Times Photo Archives. Discovered by The Times photo editor Darcy Eveleigh and co-explored with colleagues Dana Canedy, Damien Cave, and Rachel L. Swarns, the images in Unseen: Unpublished Black History from the New York Times Photo Archives and the stories behind them were initially chronicled in the series Unpublished Black History, which ran in print and online editions of the The Times in February 2016. The series generated 1.7 million views and thousands of comments.

Unseen: Unpublished Black History from the New York Times Photo Archives expands upon the original series, adding many more photographs, including: a 27-year-old Jesse Jackson leading an anti-discrimination rally of in Chicago, Rosa Parks arriving at a Montgomery Courthouse in Alabama a candid behind-the-scenes shot of Aretha Franklin backstage at the Apollo Theater, Ralph Ellison on the streets of his Manhattan neighborhood, the firebombed home of Malcolm X, Myrlie Evans and her children at the funeral of her slain husband, Medgar, a wheelchair-bound Roy Campanella at the razing of Ebbets Field.

Why were these images unpublished? Were they or the people in them considered un-newsworthy? Did the images fail to arrive before the story should run? Were they deliberately overlooked? Eveleigh, Canedy, Cave, and Swarms explore all these questions and more in this one-of-a-kind book.
 
Slide 1: Through the African American Lens
Through the African American Lens
From daguerreotype portraits taken before the Civil War to twenty-first century digital prints, the Double Exposure series is a striking visual record of key historical events, cultural touchstones, and private and communal moments that helps to illuminate African American life. In addition to featuring fifty photographs from a broad range of African American experiences, each thematic volume includes introductions by some of the leading historians, activists, photographers, and writers of our times. Through the African American Lens is an introduction to the photography collection, revealing the ways in which African Americans have used activism, community, and culture to fight for social justice and create a better life.
 
Slide 2: Double Exposure African American Women
Double Exposure African American Women
Double Exposure: African American Women highlights NMAAHC’s rich collection of striking photographs of African American girls and women, some of whom are cultural icons. This third volume in the Double Exposure series demonstrates the dignity, joy, heartbreak, commitment, and sacrifice of women of all ages and backgrounds by photographers such as Henri Cartier-Bresson, Beverly Conley, Robert Galbraith, Ernest C. Withers, Wayne F. Miller, P.H. Polk, Joe Schwartz, and Milton Williams.
 
Slide 3: Double Exposure Civil Rights and the Promise of Equality
Double Exposure Civil Rights and the Promise of Equality
Double Exposure: Civil Rights and the Promise of Equality commemorates the ongoing fight to fulfill the promise of freedom and equality for all American citizens, from the Civil War and Reconstruction to the present. Features powerful images from Leonard Freed’s series, Black in White America, Ernest C. Withers photographs of the Sanitation Workers’ Solidarity March in Nashville, Charles Moore’s documentation of police brutality during the 1963 Birmingham Childrens’ Crusade.
 
Slide 4: Double Exposure Picturing Children
Double Exposure Picturing Children
The fourth volume in the series, Double Exposure: Picturing Children features a diverse selection of photographs: spontaneous records of intimate family moments, playtime, and communal activities as well as posed portraits. Photographers include Henry Clay Anderson, Wayne F. Miller, Joe Schwartz, Jamel Shabazz, Milton Williams and Ernest C. Withers. The volume includes short reflections on individual photographs which explore how the images speak not only to past experiences of African American youth, but also to our evolving concepts of childhood, youth engagement in American society and the future.
 
Slide 5: Dream a World Anew
Dream a World Anew
Dream a World Anew: The African American Experience and the Shaping of America combines informative narratives from leading scholars, curators, and authors with objects from the Smithsonian National Museum of African American History and Culture’s collection to present a thorough exploration of African American history and culture. The first half of the book bridges a major gap in our national memory by examining a wide arc of African American history, from Slavery, Reconstruction, the Harlem Renaissance, and the Great Migrations through Segregation, the Civil Rights Movement, and beyond. The second half of the book celebrates African American creativity and cultural expressions through art, dance, theater, and literature. Sidebars and profiles of influential figures—including Harriet Tubman, Robert Smalls, Ida B. Wells, Mordecai Johnson, Louis Armstrong, Nina Simone, and many others—provide additional context and interest throughout the book. Dream a World Anew is a powerful book that provides an opportunity to explore and revel in African American history and culture, as well as the chance to see how central African American history is for all Americans.
 
Slide 6: Begin With the Past
Begin With the Past
Begin With the Past: Building the National Museum of African American History and Culture presents the long history of efforts to build a permanent place to collect, study, and present African American history and culture. In 2003 the museum was officially established at long last, yet the work of the museum was only just beginning. The book traces the appointment of the director, the selection of the site, and the process of conceiving, designing, and constructing a public monument to the achievements and contributions of African Americans. The careful selection of architects, designers, and engineers culminated in a museum that embodies African American sensibilities about space, form, and material and incorporates rich cultural symbols into the design of the building and its surrounding landscape.
 
Slide 7: The National Museum of African American History Culture: A Souvenir Book
The National Museum of African American History Culture: A Souvenir Book
The National Museum of African American History & Culture: A Souvenir Book showcases some of the most influential and important treasures of the National Museum of African American History and Culture's collections. These include a hymn book owned by Harriet Tubman; ankle shackles used to restrain enslaved people on ships during the Middle Passage; a dress that Rosa Parks was making shortly before she was arrested; a vintage, open-cockpit Tuskegee Airmen trainer plane; Muhammad Ali's headgear; an 1835 Bill of Sale enslaving a young girl named Polly; and Chuck Berry's Cadillac. These objects tell us the full story of African American history, of triumphs and tragedies and highs and lows.
 
Slide 8: Atlas Obscura
Atlas Obscura
Atlas Obscura: An Explorer’s Guide to the World’s Hidden Wonders is a virtual celebration of 700 of the most unusual places in the world and will rewrite bucket lists with its descriptions of natural wonders, architectural marvels, mind-boggling events, and bizarre phenomena—all organized by continent and country.
 
Slide 9: Yayoi Kusama Infinity Mirrors
Yayoi Kusama Infinity Mirrors
Yayoi Kusama: Infinity Mirrors explores Yayoi Kusama’s best-known and most spectacular series—the Infinity Mirror Rooms—and its influence on the course of contemporary art over the past 50 years. World-renowned Japanese artist Yayoi Kusama has worked in a variety of media, including painting, sculpture, performance art, and installation. Kusama’s iconic Infinity Mirror Rooms, which originated with Phalli’s Field in 1965, situate viewers in kaleidoscopic spaces filled with multicolored lights or whimsical forms.

These mirror-lined installations reflect endlessly, distorting rooms to project the illusion of infinite space. Over the years, the works have come to symbolize different modalities within the various contexts they have inhabited, from Kusama’s “self-obliteration” in the Vietnam War era to her more harmonious aspirations in the present.

By examining her early unsettling installations alongside her more recent ethereal atmospheres, this volume aims to historicize the body of work amidst the resurgence of experiential practices within the global landscape of contemporary art. Generously illustrated, this publication invites readers to examine the series’ impact over the course of the artist’s career. Accompanying essays, an interview with the artist, and a scholarly chronology round out the book.
 
Slide 10: Double Exposure Fighting for Freedom
Double Exposure Fighting for Freedom
Double Exposure: Fighting for Freedom, the fifth volume in the series Double Exposure, presents 50 images of African Americans in uniform, from the Civil War to the War in Iraq. The selection of photographs, which exemplify stories of patriotism, courage, and dignity, are enriched by the unique perspective of Frank Bolden, Jr., 12th Administrator of NASA and Gail Lumet Buckley, author of American Patriots.
 
Slide 11: Official Guide to the Smithsonian National Museum of African American History & Culture
Official Guide to the Smithsonian National Museum of African American History & Culture
This fully illustrated guide to the Smithsonian’s newest museum takes visitors on a journey through the richness and diversity of African American culture and the history of a people whose struggles, aspirations, and achievements have shaped the nation. The Official Guide to the Smithsonian National Museum of African American History & Culture provides a comprehensive tour of the museum, including its magnificent building and grounds and eleven permanent exhibition galleries dedicated to themes of history, community, and culture. Highlights from the museum’s collection of artifacts and works of art are presented in full-color photographs, accompanied by evocative stories and voices that illuminate the American experience through the African American lens.
 
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